{"id":212,"date":"2012-01-10T16:46:45","date_gmt":"2012-01-10T16:46:45","guid":{"rendered":"http:\/\/www.jfuhrman.com\/wordpress\/?page_id=212"},"modified":"2012-02-23T15:37:23","modified_gmt":"2012-02-23T15:37:23","slug":"resume","status":"publish","type":"page","link":"https:\/\/jfuhrman.com\/wordpress\/about-jf\/resume\/","title":{"rendered":"R\u00e9sum\u00e9"},"content":{"rendered":"
<<\/span><\/a> \u00a0 I \u00a0 ><\/span><\/a><\/strong><\/span><\/h6>\n
EDUCATION<\/strong><\/h6>\n
University of Pennsylvania, B.A., 1965 Temple University, M.Ed., 1971<\/h6>\n
Martha Graham Dance Technique 1980-83<\/h6>\n

 <\/p>\n

SELECTED EXHIBITIONS AND INSTALLATIONS \u00a0*One Person<\/strong><\/h6>\n
2010-2012<\/strong><\/h6>\n
\u00a0 * \u00a0 Philadelphia, PA, University of Pennsylvania, Works on Paper<\/h6>\n
\u00a0 * \u00a0 Elizabethtown, PA, Elizabethtown College, The\u00a0Blind Tongue<\/a><\/em><\/h6>\n
<\/em>\u00a0 \u00a0 \u00a0 Nyack, NY, Edward Hopper House,\u00a018th<\/sup>\u00a0<\/em>Small Matters of Great Importance<\/em><\/h6>\n
<\/em>\u00a0 * \u00a0 Wallingford, PA, Community Arts Center, Circles of Time<\/a><\/em>, installation<\/h6>\n
\u00a0 \u00a0 \u00a0 Philadelphia, PA, UArts,\u00a0Collaborations<\/h6>\n
<\/em>\u00a0 \u00a0 \u00a0 Nyack, NY, Edward Hopper House, Hopper Revisited<\/h6>\n
\u00a0 * \u00a0 Boston, MA, Fort Point\u00a0Theater\u00a0Channel, Mark Warhol Opera-Dance,\u00a0Jeanne\u2019s <\/a><\/em><\/h6>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Fantasy<\/a><\/em><\/h6>\n
\u00a0 \u00a0 \u00a0 Nyack, NY, Edward Hopper House, 17th\u00a0<\/sup><\/em>Small Matters of Great Importance<\/em><\/h6>\n
\u00a0 \u00a0 \u00a0 Berman Museum of Art, Ursinus College, Collegeville, PA, Permanent Paper\u00a0Collection<\/h6>\n
\u00a0 \u00a0 \u00a0 Goucher College, Baltimore, MD, \u201cGuarded Identities<\/a>\u201d<\/h6>\n
\u00a0 \u00a0 \u00a0 Washington DC, Amnesty International<\/h6>\n
\u00a0 \u00a0 \u00a0 Boston MA, HarborArts<\/h6>\n
\u00a0 \u00a0 \u00a0 Philadelphia, PA, \u201cBridge\u201d<\/h6>\n
2006-2009<\/strong><\/h6>\n
\u00a0 * \u00a0 Philadelphia, PA, University of Pennsylvania, Works on Paper<\/h6>\n
\u00a0 \u00a0 \u00a0 Honolulu HI, University of Hawaii, \u201cShoebox\u201d, International Through 2012<\/h6>\n
\u00a0 \u00a0 \u00a0 Boone, NC, Rosen Sculpture Competition and Exhibition, Appalachia State University<\/h6>\n
\u00a0 \u00a0 \u00a0 North Charleston, SC, Outdoor Sculpture Competition and Exhibition, First Prize<\/h6>\n
\u00a0 \u00a0 \u00a0 Bellingham, WA, Big Rock Garden Sculpture Exhibition, Juror\u2019s Award<\/h6>\n
\u00a0 \u00a0 \u00a0 Ithaca, NY, Art in the Heart of the City<\/h6>\n
\u00a0 * \u00a0 Doylestown, PA, Michener Museum of Art<\/h6>\n
\u00a0 * \u00a0 Philadelphia, PA, Borowsky Gallery, University of the Arts, \u201cContemplative Spaces\u201d<\/h6>\n
\u00a0 \u00a0 \u00a0 Salisbury, MD, Salisbury University<\/h6>\n
\u00a0 * \u00a0 Rosemont PA, Rosemont College, \u201cContemplative Spaces\u201d<\/h6>\n
2000-2006<\/strong><\/h6>\n
\u00a0 * \u00a0 Harrisburg, PA,\u00a0Susquehanna Art Museum, \u201cStill and Quiet\u201d<\/h6>\n
\u00a0 \u00a0 \u00a0 Tokyo, Osaka, Japan, Kajima Corporation, International Competition<\/h6>\n
\u00a0 \u00a0 \u00a0 Burlington County Community College, NJ<\/h6>\n
\u00a0 \u00a0 \u00a0 Towson University, MD, Wake Forest University, NC, “Monumental Micros”, Tri-State<\/h6>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Sculptors<\/h6>\n
\u00a0 \u00a0 \u00a0 Frederick, MD Drawing to Sculpture, Delaplaine Arts Center<\/h6>\n
\u00a0 \u00a0 \u00a0 Kutztown University, PA, “Inner Circles”<\/h6>\n
\u00a0 * \u00a0 Miami-Dade College, Miami, FL<\/h6>\n
\u00a0 \u00a0 \u00a0 Blair Athol Castle, Scotland, First British International Wood Sculpture Symposium<\/h6>\n
\u00a0 \u00a0 \u00a0 Philadelphia, PA, “Non-Objective Painting and Sculpture”, Art in City Hall<\/h6>\n
\u00a0 \u00a0 \u00a0 Philadelphia, PA, Nexus Gallery, “Maquettes for Architectural Projects”<\/h6>\n
\u00a0 \u00a0 \u00a0 Woodmere Museum, “Philadelphia Sculptors 2000”<\/h6>\n
1990-1999<\/strong><\/h6>\n
\u00a0 \u00a0 \u00a0 Philadelphia, PA, University of Pennsylvania, “Confronting Cancer”<\/h6>\n
\u00a0 * \u00a0 Collegeville, PA, Berman Museum of Art, Ursinus College<\/h6>\n
\u00a0 \u00a0 \u00a0 Miami, FL, University of Miami<\/h6>\n
\u00a0 \u00a0 \u00a0 Peekskill, NY, “Clay and Mixed Media Invitational, Moon Viewing Gate\u00a0<\/em><\/h6>\n
\u00a0 * \u00a0 Philadelphia, PA, Penn’s Landing, “Sunflowers in the City”, Larry Hepner,\u00a0agronomist;<\/h6>\n
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Pennsylvania Horticultural Society; Penn Dot<\/h6>\n
\u00a0 \u00a0 \u00a0 Fortaleza, Brazil, 2nd International Ephemeral Arts Exhibition,\u00a01990<\/h6>\n
\u00a0 \u00a0 \u00a0 Philadelphia College of Textiles and Science, Biennial, 1986-2004<\/h6>\n
\u00a0 * \u00a0 Doylestown, PA,<\/span>\u00a0<\/span>Michener Arts Center, “Wheat Drawing”, Larry Hepner,\u00a0agronomist<\/h6>\n
1980-89<\/strong><\/h6>\n
\u00a0 * \u00a0 Philadelphia, PA Philadelphia Art Alliance Philadelphia, PA<\/h6>\n
\u00a0 \u00a0 \u00a0 Philadelphia Art Alliance, “Drawing Competition”<\/h6>\n
\u00a0 * \u00a0 Chester Springs, PA, Yellow Springs Institute for the Arts<\/h6>\n
\u00a0 \u00a0 \u00a0 New York, NY, Queens College, \u201cWood\u201d 1967-79 New York NY, AREA<\/h6>\n
\u00a0 \u00a0 \u00a0 Utica, NY, Munson Williams Proctor Institute<\/h6>\n
<\/h6>\n

 <\/p>\n

GRANTS AND AWARDS<\/strong>
\n2009<\/strong>
\nOutdoor Sculpture Competition and Exhibition, North Charleston, SC, First Prize
\nBig Rock Garden Sculpture Exhibition, Bellingham, WA , Juror\u2019s First Award
\n1991-92<\/strong>
\nNew Forms Regional Grant; Painted Bride, Inter-arts Program of the National Endowment for\u00a0the Arts, the Rockefeller Foundation and the Pennsylvania Council on the Arts; The\u00a0Pennsylvania Council on the Arts, Inter-Arts Program<\/p>\n

 <\/p>\n

TEACHING AND LECTURES<\/strong>
\n2011 Cal State, Dominguez Hills, Guest Artist
\n2010 Philips Andover, Guest Artist
\n2009 Philadelphia Museum of Art, Accessible Programs, Form in Art, Guest Artist
\n1986-2006 \u00a0Philadelphia University (College of Textiles and Sciences), Faculty
\n2002 Moore College of Art and Design, Color Theory
\n1984, 1989 Miami-Dade Community College, Visiting Artist
\n1988 Temple University School of Architecture, Guest Critique
\n1984 Queens College, New York, NY
\n1978-84 Antioch College\/Philadelphia, Faculty for Prior Learning
\n1979-81 University of Miami, Guest Critique<\/p>\n

 <\/p>\n

SELECTED PUBLIC COMMISSIONS AND COLLECTIONS<\/strong>
\n2010 Berman Museum of Art, Collegeville, PA, Works on Paper
\n2009 Shure School, Tokyo, Japan
\n1978-2008 City of Philadelphia, PA (4)
\n2004 Cherokee Apartments, Philadelphia, PA
\n1998-99 Colgate Corporation, New York, NY
\n1995-96 Taylor-Omnimed Medical Center, Philadelphia, PA
\n1992\u00a0Linpro Company, Jersey City, NJ, Hudson Street Plaza Design
\n1992 American Concrete Institute
\n1987 Metropolitan Life Insurance Co.
\n1986 Potomac Development Corporation
\n1985-2008 Linpro Company (3)
\n1983-89 P and A Associates (5), Philadelphia, PA
\n1982 Brandywine Airport, West Chester, PA
\n1980 Dade County, FL
\n1979 Miami-Dade College
\n1978-85 Rouse and Associates (Liberty Property) (4)
\n1978 Korman Corporation, Philadelphia, PA
\n1978 City of Miami, FL<\/p>\n

 <\/p>\n

SELECTED BIBLIOGRAPHY<\/strong>
\n\u201cSculpture Magazine\u201d, James Fuhrman At Michener Museum of Art,\u00a0<\/em>2008
\n\u201cPhiladelphia Inquirer\u201d, Victoria Donohoe, \u201cAbstract effects set in tranquility\u201d,
\n……<\/span>August 8, 2008
\n\u201cDelmarva Daily Times\u201d, Ursula Ehrhardt, \u201cExtraordinary Oak Sculpture\u201d,
\n……<\/span>February 17, 2008
\nSeidel, Miriam, Borowsky Gallery\/The Gershman Y, James Fuhrman Contemplative
\n……<\/span>Space<\/em>,\u00a0November 2007
\n\u201cMain Line Times\u201d, Marie Fowler,\u00a0Oriental sensibility<\/em>, November 7, 2007
\n\u201cPhiladelphia Inquirer\u201d, Victoria Donohoe, In tranquility<\/em>, November 11, 2007
\n\u201cSculpture Magazine\u201d, John Vitale, Reviews: James Fuhrman<\/em>, June 2005
\nDolan, Therese, 60 Quests,<\/span> Miami-Dade College, Catalog, 2003
\n\u201cInside\u201d, Leslie Kaufman, Still Life, Feature on Gardens and Sculpture, Winter, 2001
\n\u201cPhiladelphia Inquirer\u201d, Judy West, \u201cAddition\u201d, Feature on house design, May 13, 2001
\n\u201cArt Matters\u201d, Burton Wasserman, review, July 2000
\n\u201cChestnut Hill Local\u201d, Rita Beyer, review, June 22, 2000
\n\u201cPhiladelphia Inquirer\u201d, Edward J. Sozanski, April 1999
\n\u201cChestnut Hill Local\u201d, Rita Beyer, review March 25, 1999
\n\u201cArt Matters\u201d, Burton Wasserman, review, March 1999
\nSeidel, Miriam, James Fuhrman, Marks and Messages<\/em>, Berman Museum of Art, Collegeville,\u00a0PA, Catalog. 1992
\n\u201cArt Matters\u201d, Fred Gable, review, December 1991
\n\u201cVeja 28 Graus\u201d, Geisa Mattos, review, November 1991
\n\u201cFortaleza-CE\u201d, November 1991
\nWGCK, Joan Stack, radio interview, “Drawing in the Field<\/em>“,1989
\nCurtiss, Deborah, Introduction to Visual Literacy<\/span>, Prentice-Hall,1986
\n\u201cNew Art Examiner\u201d Judith Vassalo, October 1985, v.13, n.2
\n\u201cPhiladelphia Inquirer\u201d, Victoria Donohue, Sculptured Skywriting<\/em>, July 20, 1985
\n\u201cAmerican Artist\u201d, Burton Wasserman, Alternative Sites<\/em>, June 1985
\n\u201cPhiladelphia Inquirer\u201d, Edward J. Sozanski, July 17, 1984
\n\u201cNew Art Examiner\u201d, Deborah Curtiss, A Monumental Sculpture<\/em>, July 1984
\n\u201cCityscape\u201d Art in Public Places<\/em>, Miami, FL, January 1980
\n\u201cArt Voices\u201d, Penelope McPhee, J Fuhrman<\/em>, March 1980<\/p>\n","protected":false},"excerpt":{"rendered":"

< \u00a0 I \u00a0 > EDUCATION University of Pennsylvania, B.A., 1965 Temple University, M.Ed., 1971 Martha Graham Dance Technique 1980-83   SELECTED EXHIBITIONS AND INSTALLATIONS \u00a0*One Person 2010-2012 \u00a0 * \u00a0 Philadelphia, PA, University of Pennsylvania, Works on Paper \u00a0 … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":83,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-212","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8x77K-3q","_links":{"self":[{"href":"https:\/\/jfuhrman.com\/wordpress\/wp-json\/wp\/v2\/pages\/212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jfuhrman.com\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jfuhrman.com\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jfuhrman.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jfuhrman.com\/wordpress\/wp-json\/wp\/v2\/comments?post=212"}],"version-history":[{"count":102,"href":"https:\/\/jfuhrman.com\/wordpress\/wp-json\/wp\/v2\/pages\/212\/revisions"}],"predecessor-version":[{"id":214,"href":"https:\/\/jfuhrman.com\/wordpress\/wp-json\/wp\/v2\/pages\/212\/revisions\/214"}],"up":[{"embeddable":true,"href":"https:\/\/jfuhrman.com\/wordpress\/wp-json\/wp\/v2\/pages\/83"}],"wp:attachment":[{"href":"https:\/\/jfuhrman.com\/wordpress\/wp-json\/wp\/v2\/media?parent=212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}